Vox AC15C1 Custom 15W 1x12" Limited Edition Red
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Other products you may like available at The Rock Inn:
Yamaha THR10C Classic Combo Portable Amp
The Yamaha THR10C classic combo modeling amp takes the personal amp concept to a new level of audio fidelity. This amp will respond to a player's every touch. Using Yamaha's exclusive VCM (Virtual Circuitry Modelling) technology, the THR10C perfectly recreates the unmistakable response and dynamics that only a boutique tube combo can provide. THR delivers the sound you want and the feeling you need. Effects that enhance and complement your playing combine with room-filling reverbs and delays to push your playing to new levels. Thanks to THR's unique design, stadium-filling volume isn't a prerequisite, everything about this amp is designed to fit the way you play. The THR10C offers five amp types, Deluxe, Class A, US Blues, Brit Blues, Mini, plus Bass, Acoustic and Flat. You'll also get VCM effects processors that are based on the technology used in Yamaha's professional audio mixers. This combo offers amazing tone for both your guitar and your track. The Extended Stereo Technology gives a wide, spacious sound unimaginable from such a small enclosure. The THR10C features Cubase AI, THR Editor and USB Connection so it's great for recording and editing. The User Memory function lets you switch between five settings quickly. The Tap tempo function and built-in chromatic tuner are super useful. Finished off with great style and Virtual Tube Illumination's simulated orange glow from the metal speaker grill, it looks as good as it sounds.
Vox AC30C2 30W 2x12 Combo
The VOX AC30 combo amp has been an icon for decades, known as the sound that powered the 1960s' "British Invasion." Based on the classic AC30 design, the all-new Custom Series AC30C2 and AC30C2X offer numerous up-todate enhancements, delivering the most versatile AC30 design in VOX history.
An Evolution in Tone VOX Custom Series amps offer two channels: Normal and Top-Boost. Each channel is equipped with its own Volume control, and the Top Boost channel offers highly interactive Treble and Bass tone controls. This powerful channel pairing provides an abundance of tone-crafting control, letting you dial in a classic sound that is all your own.
Both channels rely on the Tone Cut and Volume controls in the Master section. The Tone Cut control operates in the power stage rather than the preamp stage, allowing an additional degree of tone-shaping. The Master Volume control works in conjunction with the individual volumes of each channel to create just the right degree of gain-staging. By balancing the individual and Master volumes, the Custom Series can deliver everything from a clean VOX "chimey" sound to a powerful overdriven tone.
Sound in Motion You can sweeten the sound of your Custom Series amplifier using the VOX Classic Tremolo effect. Both the speed and the depth are adjustable, allowing you to generate just the sound you want. A warm Spring Reverb is also included on all Custom Series amps, adding spaciousness to the sound. The AC30C2 and AC30C2X also include an additional tone control in the Reverb section. All Custom Series amps can use the VOX VFS2 footswitch, allowing you to turn the Reverb and Tremolo effects on and off as you continue to play. The AC30C2 and AC30C2X also provide an effects loop for incorporating your favourite effects into your sound. True "Bypass" switching takes the entire effect loop out of the circuit.
Power Sharing The AC30C2 and the AC30C2X amps make use of 3 x 12AX7 preamp tubes and use 4 x EL84 tubes to deliver 30 watts of power. The AC30C2 uses two 12" Celestion G12M Greenback speakers. The AC30C2X uses two 12" Celestion Alnico Blues. All models in the Custom Series offer a switchable 8/16 ohm output jack for powering an external speaker cabinet when you need to speak with a little more authority; using this jack will mute the internal speakers. Additionally, a 2nd extension speaker jack allows you to run an extra 16 ohm cabinet along with the internal speakers for a fuller sound.
Marshall DSL5C - All Valve 5 Watt Combo
The DSL5C combo combines distinct DSL tone with incredible versatility. It gives you an all-valve signal path, three ECC83 and one 12BH7/ECC99, with two channels: classic and ultra gain, for brilliant clean tones, sweet crunches and saturated distortions. The excellent practical features of the DSL5C combo make it ideal for playing live, recording and rehearsing: a high/low Power switch drops the DSL5C from 5 Watts to 1 Watt, maintaining rich tone at lower volumes; also on the back panel are a series FX loop, headphone/emulated line out, audio in, and an extension speaker socket to expand your sound. The DSL5C is supplied with a single button channel footswitch, and is loaded with a Celestion Ten-30 speaker.
Marshall 1960AHW Handwired Cabinet SALE PRICE
The Marshall 1960AHW speaker cabinet is a hand-soldered, 120-watt, 16 ohm, mono 4x12” angled cabinet boasting metal handles, "100" logo and salt ‘n’ pepper grill cloth. It is loaded with aged re-issues of the lower resonance (55Hz as opposed to 75Hz) 30-watt, Celestion G12H, complete with the original Thames Ditton label.
Orange TH30C 30W 1x12 Tube Combo
The TH30 Combo from Orange Amps offers the perfect balance between power and portability and is ideal for regular gigging. It's small and light enough to be portable while also offering a phenomenal tonal range for use in the studio environment. Clean/Dirty channels with switchable 7W, 15W, and 30W outputs. The TH30C is loaded with 4 ECC83 preamp tubes, 4 EL84 power amp tubes, and an ECC81 for the tube-buffered FX loop. Features
Ampeg's GVT15H guitar head delivers all-tube tone in a portable design with a vintage Ampeg '70s vibe. Premium 12AX7 and 6V6 tubes push out flexible American tone thanks to Ampeg's wide-bandwidth Baxandall EQ. With dual power modes (15W / 7.5W) and features like smooth spring reverb you get straight up Ampeg guitar tone every time.
Blackstar HT Soloist HT-60 60W Tube Guitar Combo
The Blackstar HT Soloist HT-60S is an ideal compact gigging amp for players who want the power to handle larger venues but in a 1x12 combo format. The HT-60S Soloist from the Blackstar Venue series has 2 channels and 4 modes that are augmented by an additional footswitchable solo boost. The solo boost will add up to 10dB of level boost and can be used in conjunction with the Body switch for fat, singing leads.
The Blackstar combo amplifier's Clean Channel has 2 modes, 'boutique' and 'modern' and its own Tone control provides a wide range of clean tones. The Voice switch reconfigures both the preamplifier voicing and gain structure, and the power amplifier damping, to reproduce either ringing Class A Performance in the 'boutique' mode, or very clean and tight Class AB tones in the 'modern' setting.
The Overdrive Channel on the Blackstar Venue tube amp has its own EQ section and a Voice switch that allows the character of the channel to be changed, providing a wide variety of overdriven tones. The channel is characterized by a tone that's high in gain, but lacks any of the detached top-end 'fizz' often found in similar designs. This is a result of the Blackstar HT-60S guitar amp's unique preamplifier and power amplifier shaping techniques, which cleans up the overdrive beautifully as the guitar volume is reduced. Even at the most extreme settings, the Blackstar amp's overdrive channel remains natural sounding. The ISF (Infinite Shape Feature) control is unique to Blackstar Amplification and represents a major step forward in tone shaping flexibility.
The ISF control shifts the response of the 3-control tone stack between a US-type response at one end, and at the other a UK-type response. The Blackstar amplifier has an infinite number of alternative tone choices in between the 2 extremes that would be otherwise unavailable.
The Blackstar HT Soloist 60 tube amp also features a completely natural sounding digital reverb, which is outstandingly musical on both clean and crunch tones and raises the benchmark for guitar amplifier specific reverb design. A Dark/Bright switch allows the overall reverb characteristics to be modified to suit different tastes and playing styles.
We match prices on Blackstar amps!
Fender Champion 40
Simple to use and versatile enough for any style of guitar playing, there’s a Champion amp that’s right for you whether you’re looking for your first practice amp or affordable stage gear. The 40-watt Champion 40 features a single 12” Special Design speaker, with great amp voices and effects that make it easy to dial up just the right sound—from jazz to country, blues to metal and more.
Tubes/Valves - THD YJSD Yellow Jacket Standard Duet
An adapter that permits the use of an EL84 power tube in place of a 6L6, EL34, or 6550 in grid-bias amps. There are no adjustments to make and no modifications necessary. You simply plug the Yellow Jacket into the amp's output tube sockets, plug the provided EL84s into the Yellow Jacket, turn on the amp, and play. Yellow Jacket converters not only rearrange the pin locations of the tubes, but also provide the necessary current limiting on the screens and cathode as well as blocking the amplifier's grid-bias voltage, configuring the EL84 in a Class-A, self-adjusting cathode-bias circuit. When the Yellow Jacket Converters are installed in larger amplifiers intended for 6L6s or EL34 output tubes, the high plate and screen voltages are reduced as well as current limited to protect the EL84 and to drop output power. When a pair of Yellow Jacket are used in a Marshall 50W or similar amplifier, the overall power drops to about 20W and takes on more of the character of an old Vox AC30. The distortion is smoother and more even and the output is both substantially reduced and more compressed due to the Class-A nature of the Yellow Jackets. In a 100W amp like a Twin Reverb or Marshall 100, either 2 or 4 Yellow Jackets can be used. If only 2 are used and the other 2 sockets are left empty, the output is dropped to about 20 watts. With 4 in place, the amp puts out about 40W and takes on a whole new warmth and richness. Will they hurt your amp? No! Yellow Jacket converters are safe for all amplifiers and transformers. As all Yellow Jacket converters internally limit voltage and current they put no extra strain on amplifiers' power and output transformers or internal components. Using the Yellow Jacket in higher powered amplifiers actually reduces the strain on the transformers and internal components because it reduces the overall wattage of the system. Furthermore, the heater (or filament) current of the EL84 is lower than that of the 6L6, EL34 or 7591, so the Yellow Jacket will reduce the strain on the filament windings of the power transformer as well.
Blackstar HT-1 1W 1x8 Valve Combo
Part of Blackstar's HT-1 Series, the innovative HT-1 guitar combo amp offers unbelievable tube sound in a compact format. Using the dual-triode ECC82 wired in a push-pull circuit, it produces the crunch and break-up characteristics of a traditional 100-watt amp at a much lower volume. Switch from normal to overdrive at the touch of a button. The patent-applied-for ISF (Infinite Shape Feature) circuit gives you infinite variation, taking you from USA to UK tone, and anywhere in between. Add in the 8" speaker, emulated speaker/headphone output, MP3/line Input, plus an 8-ohm speaker output and you have everything you need for recording or practicing.
Jackson Ampworks Britain 4.0 Head SALE
The Britain 4.0 features two totally separate channels, each with its own set of dedicated tone controls. While this in itself might not appear to be groundbreaking, the magic lies in the Britain’s ability to blend those two channels together to create an infinite number of tonal options! Channel 1 is the exact same EF86 based preamp that was featured in the original Britain but has been updated with our own footswitch-able boost circuit that true bypasses the Treble and Bass controls resulting in a substantial boost in volume, gain and tonal purity.
Channel 1, being the higher gain of the two, is considered the dirty channel of the amp and offers a very broad frequency response that works to deliver your instruments true voice with minimal coloring or artifacts. Channel 2 of the Britain 4.0 is a 12AX7 based preamp that balances perfectly against Channel 1 by providing pristine clean tones incredible headroom and articulation. This channel, which was designed to remain clean longer than Channel 1, embodies the very definition of clean British guitar tone but is enhanced with increased richness and depth.
Channels 1 and 2 are internally linked so that the use of the input labeled “1/2” sends the guitars signal to both channels equally. In this arrangement, each channel is active along with its associated tone controls and blending of the two channels is a simple as adjusting the Volume control for each channel. The true advantage of this type of arrangement lies in the ability to blend Channels 1 and 2 together while still allowing tonal shaping of each channel via their respective Treble and Bass controls. Plugging into the input labeled “2” breaks the internal connection to Channels 1 and 2 thereby allowing them to function independently. This feature allows the musician to use a completely different signal chain (floor based effects etc.) for each channel if desired, and is fully expanded by the use of an ABY box to select channels 1, 2 or both.
With all of these tonal options available, the Britain 4.0 truly delivers Two Channels, Infinite Tones. The Britain 4.0 is the only amp anywhere that offers switch-able power output of either 50W Class A/B using EL34’s, 25W Class A using EL34’s or 15/30W Class A using EL84’s. This adjustable power feature allows the player to tailor the amps response and tone to any given musical setting. In high volume situations, select the 50W mode for maximum volume and clean headroom. When less volume is desired, select the 25W or 15/30W mode and enjoy the early breakup and harmonic richness that only comes from low power Class A operation. The inclusion of the 15/30W Class A power modes using EL84’s extends the tonal range of the Britain 4.0 by lowering the amount of headroom even further and allows for overdriven tones at a lower volume along with the characteristic chime and sparkle that is inherent in EL84’s.
Given its power and performance, the Britain 4.0 really is like having four amps in one!
Marshall DSL15C All-Valve 15 Watt Combo
The DSL15C is a compact, all-valve 15 Watt combo that delivers on tone. Powered by two 6V6 power valves and three ECC83s in the preamp, the DSL15C might be small, but its guts are as serious as its big brother, the DSL100H. With footswitchable classic/ultra gain channels, deep switch to boost lower-end chunk, and on the back panel, a pentode/triode switch for maximum flexibility (15 Watt to 7.5 Watt), the DSL15H perfectly combines performance, versatility and value for money. The DSL15C is loaded with a single 12” Celestion G12E speaker, and is supplied with a two button footswitch for channel change and reverb on/off. f
Vintage/Pre-Owned - Marshall Randy Rhoads Tribute Stack (Head and Cabinet)
UK Made. Includes original white vinyl cover, and owners manual. Excellent condition, matching white head and 4x12 cabinet. Awesome, loud, collectable stack. "This signature product from Marshall Amplification is dedicated to the memory of Randy Rhoads and has been designed around Randy's own factory modified white 1959 Superlead amplifier, which he personally left the factory with in January 1980. The 2x channel 1959RR signature model, 100-watt all-valve head is designed to reflect the tone and appearance of one of possibly the most recognisable 1959 amplifiers ever used in the history of heavy metal. The valves in the unit are stock 1959 components with 3 x ECC83 valves in the preamp section and 4 x EL34 valves in the power amps section of the unit. A customisation of the circuit allowing channel two to cascade through channel one of the amplifier creates the distinctive tone achieved in the original unit. The finger jointed cabinet and the amplifier itself are still made in the UK from the highest specification components with the emphasis on quality and reliability. This means that the 1959RR is the most representative amplifier to the original 1959 that Randy played. Each 1959RR unit will be provided with its own custom artwork dustcover, certificate of authenticity and custom handbook with notes from Delores Rhoads, Kelle Rhoads, Max Norman and Nick Bowcott. 300W 4x 12” white angled cabinet, Same as 1960A w/ white elephant grain tolex. To match Randy Rhoads signature series head"
Hiwatt All Valve DG-504 Custom 50 50w David Gilmour Signature Tube Head
Hand-wired, classic tube sound from across the pond - or is it the dark side of the moon?
Based on the Custom 50 head, but with special modifications as commissioned by Dave Gilmour of Pink Floyd himself, the DG-504 adds a bit of modern sophistication to the classic performance amplifier. In addition to the Bass, Treble, Presence and Master Volume controls, the DG-504 uses a specially linked input system, where the gain of each channel can be altered to suit different musical styles. Built using Partridge transformers, 4 x ECC-83 tubes in the preamp section, 2 x EL-34 tubes in the power stage, and is rated at 50 watts output, with switchable 4, 8 & 16 ohms impedance.
A look inside the amplifier will reveal point-to-point hand wiring, turret tag boards (no printed circuits), and hand laced wiring harnesses. The power and output transformers are manufactured by Partridge, the original 1970's supplier to the original design sheets. The components and wires are the modern available equivalents of the vintage components, 1-watt carbon resistors, and wound polyester capacitors being used throughout.
Special order item.
Marshall DSL40C All Valve 40 Watt Combo
The critically acclaimed DSL40C shares most of the same great features as the DSL100H: footswitchable classic/ultra gain channels, rear panel pentode/triode switch (40 Watt down to 20 Watt) and a rear panel series FX loop. Unlike the JCM2000 DSL amps, the DSL40C features footswitchable digital reverb – channel change and reverb on/off footswitch is supplied. The popularity of the DSL40C lies in its feature-packed capability, versatility, its volume-to-size ratio, and its value for money.
Strauss SHW-20 Handwired 1x12
2 x 12AX7 preamp valves, 2 x EL84 output valves and one very sweet 12’’ V-Lux Speaker. Controls are basic, one Volume & one Tone control... and that is all you need! Use your guitars volume control to go from warm jazz/blues tones to the sort of crunch overdrive you can use all night. Get into the world of tube amps today!! At this price you can't go wrong.